Can We Still Be Friends Movie Store

Would you be able to remain companions with your ex? Particularly when despite everything you're living respectively? That is the preface of Star Cinema's most recent romantic comedy, "Would we be able to Still Be Friends?," featuring Gerald Anderson and Arci Muñoz, who featured together in a year ago's "Dependably Be My Maybe."

Burrows (Anderson) and Sam (Muñoz) have been as one for a long time, sharing an apartment suite and a puppy named Bugsie. One day Sam begins getting to be noticeably tired of her beau's defects; his wreckage, his video-gaming, and his money related insecurity. This prompts a separation—yet Sam, in an inviting and tender way, demands that Digs remain in the apartment suite that he's additionally paying for. Is it feasible for them to stay just companions?

Coordinated by Prime Cruz ("Sleepless") and script by Jenilee Chuansu, "Would we be able to Still Be Friends?" feels extremely empty. With an awfully drowsy and confounded pacing, discourse without mind and substance, and characters with no human qualities, it is a peculiar bit of silver screen. It's a layout of a story, not a genuine account, disabled and not able to express anything genuine.

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Regardless, Sam and Digs have been as one for almost 10 years yet you can't detect that long-term couple vibe. They're strained, reluctant and conditional towards each other, and their relationship is construct just with respect to their adoration for Lucky Me pancit canton.

Burrows has an identity of a block. Anderson is an able performer yet his Digs is solid, a clear sheet of  paper. As though his match of trendy person glasses and unendingly pressed together lips can give him an identity. What's with the lips? In the mean time, Muñoz's Sam is additionally an unfilled vessel: all you see is a lady with a honors night hair and substantial cosmetics day in and day out, in addition to her intermittent "dad infant" manner of speaking. That is the degree of her "identity."

So when they separate, you don't feel the misfortune, the disaster. Since these individuals don't feel like genuine people. After the exhausting separation battle in the eatery, we are never offered space to stew, to get a handle on the stun of the split, since seconds after the fact they are now friendly and bashfully consenting to live respectively.

Muramba Marathi Movie Store

Brilliant Period of Marathi Cinema', 'Marathi New Wave' are a portion of the favor names that are connected to contemporary Marathi movies by bloggers (counting, yours genuinely) and other motion picture devotees. In any case, the truth couldn't be more distant from it. Yes, there have been couple of jewels that have discharged each year, yet that is about it. The normal nature of Marathi movies that discharge in a year are as low as whatever other provincial industry in the nation. Alarmingly, about the greater part of the Marathi motion pictures that discharged in 2016 were proclaimed as business duds.

Fortunes haven't changed in 2017 either. The initial 5 months have been especially woeful. Two Zee films (Ti Saddhya Kay Karte and Chi Va Chi Sau Ka) and a Swwapnil Joshi-Subodh Bhave flick have traveled every which way without having any critical effect. It has taken a "little" film like Muramba to at long last enable the business to escape the groove of average quality.

On the off chance that you have been following the advancements of Muramba, you would believe it's a rom-com with a new plot, a bundle of present day, liberal characters, and some long, fulfilling discussions. All things considered, it is precisely that and full stamps to the special group as it is not frequently that a film conveys what it guarantees.

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Marathi film has a considerable rundown of motion pictures that look and feel like 'recorded plays', and in the hands of a lesser screenwriter and chief Muramba could have exceptionally well been the same. The wide structure of the film is for sure like a play, however essayist chief Varun Narvekar's deft hand guarantees that it doesn't feel like one regardless of it essentially being a motion picture about long drawn discussions between a couple of primary characters.

Films with a considerable measure of talk don't make for phenomenal silver screen. You should be truly skilful to make the true to life encounter connecting with in the event that you have a bundle of characters that do minimal other than talking. Alok and his folks talk in their extravagant Pune home; they talk in their huge extravagance auto and additionally the eatery they visit for a family lunch. It is Varun Narvekar's fine true to life eye in arranging the scenes that guarantee they don't seem to be dull. The throwing of the three most vital characters couldn't have been something more. They offer such a genuine bond, to the point that on occasion it feels like you are spying on a genuine supper table discussion of a family. Sachin Khedekar as the quiet and gathered patriarch, who is cautiously directing the fix up of Alok and Indu, is extraordinary. It is certainly one of the better exhibitions of his long acting vocation. Amey Wagh demonstrates that he is a standout amongst the most encouraging performing artists from the more youthful parcel of the Marathi film industry. Chinmayee Sumeet as the delicate mother who is raised in a town however has, with some trouble, embraced to present day and liberal urban condition is pitch culminate.

Andagadu (2017) Telugu Movie Store

Story:-

Gautam(Raj Tharun) is a visually impaired man who begins to look all starry eyed at a specialist named Netra(Hebah Patel). As time cruises by, Netra enables Gautam to recover his vision. This is additionally the time when Gautam falls into issue with a neighborhood don(Raja Ravindra).

His issues deteriorate when Gautam faces extreme results from Netra's dad(Shayaji Shinde) who is a cop. Exactly when things look set, Gautam meets Kulkarni(Rajendra Prasad) who flips around his life.

Who is this Kulkarni? What does he need to do with Gautam? By what method will Gautam win his adoration and face the neighborhood wear? To know every one of the appropriate responses, you have to watch the film on the extra large screen.

Furthermore Points:-

You can unmistakably observe a ton of change in Raj Tharun. His star status is most likely made the following stride as he is quiet with his execution. He is particularly humorous as the visually impaired man and grandstands great varieties when he turns into the irate young fellow amid the end.

Comic Satya brings great giggles amid the primary half as every one of his scenes with Raj Tharun and Hebah summon wonderful fun. Hebah Patel is just about alright and does not have much to do in the second half. As usual, Hebah's science with Raj Tharun is very shaking. Ashish Vidhyarthi is not too bad as the specialist as was Sayaji Shinde.

The principal half is exceptionally engaging with humorous diversion and an extremely fascinating interim blast highlighting Rajendra Prasad. The way saint's mystery is uncovered amid the end has additionally been displayed well.

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Short Points:-

The film has an exciting ride sort of a vibe. Right, when you think things are going great in the main a large portion of, the pace tumbles down marginally and the film is just spared by some great interim point. The greater part of the movies nowadays have an extremely unsurprising and less than impressive execution and same is the situation with Andhagadu as well.

For the real mystery to be uncovered, the chief superfluous diverts second half by some exhausting parody scenes between Rajendra Prasad and Raj Tharun. Presumably surprisingly, Rajendra Prasad looks very dull in his part and does not convey any profundity to the procedures.

Once the contort is uncovered, the peak takes everlastingly to be wrapped up as some pointless scenes displaying Raj Tharun's bravery are dragged for reasons unknown.

Technica Aspects:-

Generation esteems by AK Entertainments are choice as was the camera work. Music by Shekar Chandra is very great as every one of the melodies sound great and have been shot well as well. Discoursed are great as was the whole set up of the film. The film needs genuine altering the same number of scenes between Rajendra Prasad and Raj Tharun can be effortlessly trimmed.

Going to the essayist turned chief Veligonda Srinivas, he has made only an alright showing with regards to with his presentation film. As an essayist, he scores full checks as his script is very fascinating on paper. Be that as it may, the issue lies in his execution. He bundles the principal half with some great masala components however does not figure out how to hold the grasp amid the second part. It is just amid the most recent 15 minutes that the film raises to its quality with an intriguing turn including the saint. Other than this, he sends the second half slamming.

Karsandas Pay and Use Movie Store

Tilok (Mayur Chauhan) runs a pay and use facility along with Sundar (Hemang Shah), his younger brother. Everything is fine till Jaya (Deeksha Joshi) walks in and trips straight into Tilok’s arms. And a love story begins filled with twists and turns. Since Jaya and Tilok belong to different communities, there are obvious repercussions to their union and Tilok faces various challenges to win over Jaya’s father. But in the end, love wins over hatred and peace is restored for a happily ever after ending.

As Karsandas Pay & Use releases after a gap of almost a month of a total dry spell of Gujarati movies at the BO, it completely rises up to the occasion. At the heart, it might be a love story, but it also manages to pass on a positive message about maintaining harmony and respecting all sections of the society, including the working class. And the best part is, it does so without sounding preachy or deviating from the main story line.

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While all other Gujarati films are trying hard to be urban, a word surely overused in Dhollywood now, Karsandas Pay & Use very subtly yet effectively tells a story that has little to do with it being urban or rural. Why it strikes you is because it tells a feel good story, with well written characters and dialogues, a tight story with all it’s fun and masti along with a subtle message, refreshing music, good cinematography and brilliant performances by the entire star cast, especially the lead pair of Deeksha Joshi and Mayur Chauhan. Mayur, who earlier starred in Daav Thayi Gayo Yaar, looks like a different actor altogether. From his first film to this, he has grown as an actor, and it is visible on the screen. To pull off a character of Tilok, which is not the most conventional one, is commendable. So is Deeksha, who looks every bit Jaya and her transformation from a vibrant and colorful character in Shubh Aarambh to a docile maid is pleasantly surprising.

Karsandas is one those few Gujarati films that gives you special moments throughout the film bringing a smile to your face. Be it coy romantic moments between Deeksha and Mayur, funny one-liners, heartwarming bromance between Tilok and Sundar or friends standing up for each other in adverse situations, the films surely touches the right emotions. And the dose of these emotions is just about enough, neither too dramatic nor too flat.

Overall, Karsandas Pay & Use reasserts the fact that nothing else matters if a film is made well and tells a good story. Being a Gujarati film, it will find connect with all kind of audiences and that’s where its strength lies. Even though last few months have been rather slow and sluggish for the Gujarati film industry, Karsandas makes up for it. It’s not only entertaining, but also a feel good love story of a small town couple telling that you don’t need an upmarket space for romance, it can happen even in a pay and use facility.